Why Animators Have Too Many Poses

Art Babbitt & Richard Williams, c1973

One of the most common mistakes made by student animators is to have too many poses, making the overall performance feel too busy, too over-animated.

Veteran Disney animator Art Babbitt used to say that junior animators had too many poses, and veteran animators had too few. When we start off young and enthusiastic we tend to throw in the kitchen sink.

The trick is to have the right number of poses for a shot, and let the characters stay a while in the poses we have chosen. The best way to do this is to draw clear thumbnails at the beginning, with clear poses, and not have too many poses for the shot.

VFX Festival June 5-6 in Central London

The VFX, Games and Animation Festival 2019 is back again, this time taking place 190 High Holborn WC1 in central London.

This year the VFX festival has been split into three separate but overlapping events. All of the events are well worth attending, and we strongly recommend that any of our students in the London area attend.

Getting Feedback at Animation Apprentice

One of the hardest skills for animation students to learn is how give and receive criticism.  We all tend to be shy about our work (especially when we are learning something new) and, when our work is criticised, that criticism can feel very personal.

There are a number of ways in which students at Animation Apprentice can get feedback and critique. First and most obvious is directly from me - I personally tutor all the students at Animation Apprentice.  But we also have a dedicated Facebook Classroom, where students post their work to get feedback.

What Goes into an Animation Bible?

Shorescripts.com is an excellent resource for aspiring writers and creators, not just for traditional scriptwriters but also for anyone interested in pitching their own  animated TV series.

Best of all is this link to a full page of animation bibles, including classic TV shows like He-Man and Batman, showing how writers and animators go about putting together the all-important animation "bible", the crucial part of any animation pitch.

AniMates: Thurs 13th June in Tunbridge Wells

Animation Apprentice graduate and Motion Graphics expert Neil Whitman is organising a meet up of animation folks in Tunbridge Wells, Kent.

The idea is to get animation professionals (and aspiring animators) together to associate, talk shop, and help each other out.

How to Plan Animal & Creature Animation

Kiwi animation by Oliver Canovas

Our master's degree animators, studying at Buckinghamshire New University, are currently working on their third animation assignment, DA703 PR1, which involves the creation of a piece of animal or creature animation, combined with a performance.

Animal and  creature animation is among the most challenging work an animator can tackle, because it involves creating believable animation - usually based on live-action reference - and also an element of anthropormisation - making the animal or creature act in a believable way, perhaps including dialogue and lipsync.

So, how should our students plan out a piece of animal or creature animation? Start by watching the 10 minute video below.

Animator's Resource Kit

We're liking this handy blog - The Animator's Resource Kit, a useful one-stop-shop for lots of animation-related stuff.

It has plenty of information on subjects like links to animation forums, communities, animation competitions, Maya rigs, tools - and places to submit work.

Cartoon Forum 2019: Deadline 8 May

Cartoon Forum: 16-19 September 2019

What is Cartoon Forum? And why should animators know about it?

Cartoon Forum is Europe's biggest TV pitch-fest for animation, so if you have an idea for a TV series in your head, Cartoon Forum is the place to pitch it.

The deadline to submit your series project this year is 8 May. So, you have a little more time to sharpen your pencils, fill out some forms - and make your pitch perfect.

Why Animators Need Sound Design

Sound Designer at work

Animators need sound design. If you're animating a shot, remember that the visuals are just 50% of the experience; the rest is audio.

Audio is made up of music, sound effects, dialogue and - sometimes - narration.

Occasionally, good sound design means having no sound at all, or very little. But there is usually some work to be done, and animators neglect sound design altogether at their peril.

How to Write a Cover Letter

How do you write a good cover letter? And what does one look like anyway?  Everyone knows you need to write a cover letter to get a job, but lots of students get stuck at the point of actually writing one. So, to make things simple, check out our sample cover letter below.

A cover letter is like any normal letter. You put your own name, address, telephone number and email address at the top. Make it easy for them to contact you. Add the url of your website and/or demo reel (if you haven't done that yet, do it first).

Below that, you put the company's name and address. Address the letter to the person who does hiring at the company - most likely their head of recruitment or HR.  Below is our suggested template; feel free to edit it and personalise it to make it your own.

April 11 Second Club

This month, our masters' degree student animators are working on DA702, their character animation Module, with a view to entering The 11 Second Club, a monthly character animation competition in which aspiring animators practice their skills.  The Master's students practical assignment for the module is due on Monday April 22nd.

Summer Class Starts on Monday 6 May

"School Run" by Lee Caller

Our Summer classroom starts on Monday 6th May 2019.  You don't need to know Maya beforehand (we teach everything from scratch), but it's always a good idea to do a little preparation.

Below is a brief list of stuff to get you under way. You don't have to do all of it, but tick off a few of the things on this list and you will be a making a great start on your animation career.

Why Animators Should Always Tell a Story

Animators are story tellers. Every animation should have an idea behind it, one that tells a story.

Junior animators focus on learning technique - and technique is very important. But it is also important to think carefully about the story behind your shot.

Who is your character, and why are they doing what they are doing?  What is the scene about? What do they want, and what do they fear?  These things are important because if your shots forms part of an interesting story, it will be much more interesting to watch.

Art Babbitt and "Successive Breaking of Joints"

Art Babbitt & Richard Williams in Soho c1973

What is "Successive breaking of Joints"? It's really another way of talking about flexibility and overlapping action, which are very similar concepts.

The basic underlying premise is that in any action, everything shouldn't happen at the same time.

It was an idea developed by Disney animator Art Babbit, who gave a series of animation lectures at Richard Williams Animation in Soho in the 1970s.

Blender -v- Maya: Which is Best?

Which is better: Blender or Maya? It's a question we often get asked here at Animation Apprentice, and the answer depends on what you need to do.

Both software packages are very good, and both can be used to create excellent 3D animation. But there are some important differences which students should be aware of.

Timothy Stam Talks Houdini Tomorrow Night

For all our students and recent graduates in the London area, why not come along tomorrow night to Escape Studios for one of their free "Evening with.." events. Tomorrow night features a talk by Tim Stam, Houdini Expert at Goodbye Kansas productions in London.

Animation with Houdini is a growing part of the business, and we strongly recommend that anyone interested in animation should come along.

Pete Nicholson's Animation Job Tips

Pete Nicholson

Pete Nicholson graduated from Animation Apprentice a while back and, thanks to a strong demo reel and plenty of perseverance, he quickly found work in the animation industry, starting his animation career at Nano Films and later at King Bee.

Today he is working as an animator at Dead Ready Productions, where was recently involved in hiring a new After Effects animator.  What he discovered, going through the applications, was pretty striking.

You might think that the competition for animation jobs is intense - and it is. But you might also be surprised how many applications go into the bin because of simple, basic (and very easy to avoid) mistakes made by the applicant. 

Animate a "Take" Reaction with "Monty"

Animate a "take" with Monty

In this tutorial, we show how to animate a reaction shot, or "take" with Monty.  Reaction shots are the bread-and-butter of junior animators. On a feature film, once you have graduated from walk cycles and crowd shots, you get given reaction shots to test your skills.

A reaction shot is where animators first start to get to grips with acting and performance.  Just like live-action actors, animated characters on a screen must listen - and react.

What is the Best Free Editing Software?

Editing - how it used to be

What is the Best Free Editing Software? Animators need to understand editing, even if only to be competent enough to assemble a demo reel.

The most commonly used editing software these days is Adobe Premiere, part of the Adobe Suite of software and now available through the cloud at reasonable subscription rates.

But if you are on a tight budget and you need a very low cost option, there are a number of free alternatives.

BAFTA Scholarships for MA Study Now Open

Interesting in enrolling on our MA in animation - but lacking funds? Why not apply for a BAFTA scholarship?

BAFTA has opened applications for its scholarship programmes, worth up to £12,000. The scholarships are open to UK nationals for both undergraduate and post-graduate study.

Keith Lango Tutorials Available Free

Keith Lango YouTube Channel

Animator and teacher Keith Lango has made his animation tutorials free for everyone to learn online.

Keith's animation tutorials include animating a James Brown dance, rigging and skinning animation, and how to approach the business of animating a scene.

It's a great resource, and a very useful supplement to the growing body of online resources available for learning animation.