Blue Zoo - one of the UK's leading animation companies - is tackling the challenge of AI head on.
In May 2026 Blue Zoo published their "AI Manifesto", exploring the ways in which AI could be used legitimately at Blue Zoo to enhance the production process, but preserving the integrity of human artistry.
We talked to Blue Zoo founder Tom Box last week to find out more about how Blue Zoo is using AI in an ethical, sustainable way.
Veteran animation producer Anna Lord joined us recently for a conversation about Animation Jobs and Careers, and the current state of the animation industry.
Anna Lord has thirty years of experience working in the animation industry; her film credits include Quest For Camelot (1998) and Spirit: Stallion of The Cimarron (2002).
What is Anna 's advice to animators starting out in the business? Do whatever it takes to get your foot in the door.
Shelley Page, Key Talent and Artist Liaison at Locksmith Animation in London, joined us last week to talk about opportunities in today's animation industry.
What is Shelley Page's key advice for students just starting out? "Be flexible" and - if you find a junior position - "take it!".
Here at Animation Apprentice we're recommending this excellent behind the scenes exhibition of Aardman Animation stop-motion animation at the Young V&A (formerly the Museum of Childhood) in Bethnal Green.
For our animation students, this exhibition is a superb opportunity to explore how Aardman Animation’s characters and worlds are brought to life.
Above is my character design reel, cut together by Miguel Teixeira. This is a showcase of character design work on various projects I worked on over the years. Character design is one of the most enjoyable aspects of working on an animated film. To see more about character design at Animation Apprentice, follow this link.
Joey Mildenberger is a veteran of multiple Disney hits including Hercules, Treasure Planet and Atlantis.
Joey is an expert in 2D FX animation - any animator keen to get into the 2D FX industry pipeline would do well to purchase Joey's course - currently on sale for $30.
The trailer for "Bollywoof", the film I worked on at DNEG last year, has just been released. Bollywoof tells the story of an English springer spaniel who gets lost in the streets of Kolkata, and has to find his way back to his family. Bollywoof was directed by veteran director Frederic Du Chau ("Underdog", "Racing Stripes") and was produced by Newscope Films and DNEG. Preproduction and post were done in London; animation was completed in Hyderabad. Voice talent was provided by Olivia Coleman, David Jonsson, Rhys Ifans and Ambika Mod.
This week in Tokyo we were introduced by writer Taku Kishimoto to The Art of Writing for Anime.
What is the job of a writer for anime and manga? Japanese screenwriters write original stories, working with the director and producer to come up with new material.
Anime stories have a certain structure; successful writers for anime learn to follow this structure, but at the same time they must find originality and invention within this framework.
Today in Tokyo Japanese animator and character designer Kazuyoshi Takeuchi introduced students to the art of Japanese character design, exploring manga, anime and Japanese design techniques.
Kazuyoshi Takeuchi has over 75 animation credits to his name, including the legendary "Akira", which was the foundational moment of his career. He described it as "a great honour" to work with Akira director Katsuhiro Otomo.
Today in Tokyo the composer and multimedia creator Shirotomo Aizawa introduced his audience of animators to Japanese history, art and culture.
Shirotomo Aizawa explained that Japanese culture was historically influenced by China, but grew and developed to have its own unique cultural identity.
The origins of manga and anime can be found in Japan's unique cultural history and identity.
Japanese anime voice actor Keisuke Mori gave a talk in Tokyo this morning about his career performing voice overs for Japanese anime. His credits include the 2018 film Mirai.
Voice actors have to have to be able to perform a wide range of voices in order to do multiple characters. Vocal range is the key, the ability to perform in multiple different voices and styles.
Keisuke Mori explained that his voice is an instrument, one that he has learned to play over many years of practice working in anime.
How are animated films made in Japan? The answer is that the process is fundamentally very similar to how things are done in the west, but with some unique Japanese features.
The award started in 1987. It celebrates people who have made a significant and lasting impact on the history and legacy of Disney animation.
I worked under Eric's direction both on the feature film Pocahontas and later on the cartoony "Looney Tunes - Back in Action", animated in the snappy Warner Bros style.
Here at Animation Apprentice our students make a lot of short films, many of which go on to win festival awards. Yet one simple element is surprisingly often missing: an opening title.
While some experimental pieces intentionally dive straight into the action, most short films benefit from displaying their title right at the beginning. Here’s why your title should be at the start of your film.
Animation Featured is a "high‑impact development accelerator designed to strengthen the UK’s feature animation pipeline and support the next generation of independent filmmakers and studios". The deadline to apply is Sunday 16 August 2026.
If you're under 18, send in your very best comic strip (three pages max) to enter the competition and get your work in front of judges from The Beano, The Phoenix, and (of course) The Cartoon Museum.