What I Learned on "The Iron Giant"

"He's a giant robot Dean; it's a little...undignified"

In 1998, I had the privilege of working as an animator on The Iron Giant at Warner Bros. Feature Animation, under the direction of Brad Bird.  Working on Brad Bird's "The Iron Giant" was one of the best experiences of my career in animation.  

We had just come off "Quest For Camelot", a movie which had suffered from low morale - and which did not perform well at the box office.  

After Quest, Everyone at Warner Bros was excited for Brad's Iron Giant - and the team was confident it would be a hit. After all, with a strong story, a great director and a great animation team - what could possibly go wrong? 

The Cinematography of The Incredibles - at Floobynooby

In this excellent blog post at Floobnooby, the Cinematography of The Incredibles is explored in detail, showing how the camera was used by director Brad Bird to facilitate the story-telling and bring the characters to life.

Cinematography is an art form in itself; too big for us to explore in great detail at Animation Apprentice.  But we can't ignore it either; every time an animator sets up a shot, we make choices about what the camera is doing. And those choices inform how our shot works - or doesn't.

We highly recommend all our students take ten minutes to read this post and get educated on Cinematography by the master - Brad Bird.

Remembering The Iron Giant

In this excellent blog post, animator Stefan Franck reflects on  what it was like to work on The Iron Giant under the leadership of the supremely talented Brad Bird.

Iron Giant has just been re-released in theatres in the USA, a fitting tribute to a film which under-performed at the box office when it was first released in 1999.  For those of use who worked on the film, this was a huge shock. How could such a great film perform so poorly? Why did no-one want to see it?

Conspiracy theories grew. The studio wanted to kill it (because giant corporations love losing money!). The marketing department screwed up.  "They" wanted to close down Warner Bros Feature Animation. "They" wanted to teach Brad Bird a lesson.

Brad Bird and the Magic Circle

The Iron Giant

Many years ago I worked on The Iron Giant, a wonderful film and a priceless opportunity to work with one of the very best animation directors - the legendary Brad Bird.

I learned a great deal from him both as a director and an animator.  Brad's style of directing was always clear; he always knew what he wanted, and how to communicate it to the animators.

One of the cleanest and most useful concepts I learned from him was the importance of "The Magic Circle" - a simple rule of composition, and the animator's best friend in a tight spot. Here is how it works.