Animate a Neon Sign in Maya - Free Tutorial

In this free tutorial we show how to animate a flickering neon sign in Maya. The idea is to create a personal logo for your demo reel, something that has more style and invention than a simple title card. 

Start by creating a logo for your animation reel, then import the logo into Maya, and use the technique described above to turn your logo into neon letters. Next animate the letters, render it, and create a movie file for your demo reel. 

Why Animators Must Master The Art of the Title

artofthetitle.com

Part of making any short film is thinking about titles, and typography.  A good title sets the tone and style for the forthcoming film.

For all our students working on titles and title sequences for their short films, we recommend visiting theartofthetitle.com, a website dedicated entirely to the art and craft of movie titles.

Design (and Animate) Like a Rockstar

Eugene Riecansky, founder and CEO of Rockstar, a motion graphics company based in Norwich, East Anglia, gave a superb talk at the recent BlueGFX Expo in London titled "How to Design like a Rockstar". 

It was an excellent talk because it brought to life the extraordinarily fast-paced nature of doing video work for clients, working to insane deadlines to create unique video content for bands doing live gigs and performances.

Calling All Character Designers! Time to Enter the Character Design Challenge!

Character Design Challenge!

Calling All Character Designers! Why not polish your design skills by entering the monthly Character Design Challenge? It's a bit like the Eleven Second Club, but for character designers. The group already has an astonishing twenty five thousand members - and growing fast.  So what is it all about, and how does it work?

Jim Van Der Keyl Talks About His Career in Caricatures

Jim Van Der Keyl is a caricaturist and animator who has worked on many of the biggest animated hits from DreamWorks in recent years, including Kung Fu Panda, Kung Fu Panda2, Flushed Away, and Over the Hedge. In 1999 he was nominated for an Annie award for his animation on Brad Bird's masterpiece  The Iron Giant. He also writes books and DVDs on the art of caricature - truly a renaissance animator. We asked him to reveal the secrets of the craft - how does an animator become a great caricaturist?

Brad Bird and the Magic Circle

The Iron Giant

Many years ago I worked on The Iron Giant, a wonderful film and a priceless opportunity to work with one of the very best animation directors - the legendary Brad Bird.

I learned a great deal from him both as a director and an animator.  Brad's style of directing was always clear; he always knew what he wanted, and how to communicate it to the animators.

One of the cleanest and most useful concepts I learned from him was the importance of "The Magic Circle" - a simple rule of composition, and the animator's best friend in a tight spot. Here is how it works.

Phil Loeffler Talks Freelance Graphic Design and Illustration

Artwork by Phil Loeffler

Phil Loeffler is a talented designer, artist and animator, who came to Animation Apprentice to broaden his range of artistic skills and master the art of character and creature animation. Before he began studying with us, he had already established a successful career as a freelance graphic designer. We asked him to talk a little about his work, and what is involved in making a living in such a fascinating but competitive field.