Why Animated Shorts Need an Editor

Movieola

The Film Editor is one of the most important and creative roles on any production. The animation editor is involved in every process of planning and production, from the earliest stages, including cutting and editing the storyboard animatic.

Making an animated film is a collaborative effort and is almost always completed with a team of people; the editor is one of the key creative roles on any production.

We encourage all our students at Animation Apprentice to try their hand at film editing, it's an important job and one of the most interesting seats to occupy on any production.

Pitch Your Project at Animation Production Days

Animation Production Days in Stuttgart is an event that should be on every animator's radar.

Like Cartoon Movie and Cartoon Forum, APD offers a unique opportunity for animation graduates to pitch their ideas to producers, financiers and sales agents - the people who can bring original animation content to the market.

BAFTA – Producing Masterclass with David Thompson

David Thompson at BAFTA

This past Saturday BAFTA held a series of lectures and masterclasses on film production, welcoming members of the public to hear industry professionals give lectures on all aspects of the business.  One of the best presentations was a talk by David Thompson, formerly head of films and single drama at BBC, and a producer with a clutch of BAFTAs and Golden Globes on his shelf. Most importantly, he has over 100 screen credits, including Billy Elliot and Mandela. So, someone worth listening to then.

Steve Burch Uncovers the Mysteries of Producing Animation

Animation Producer Steve Burch

Animation Producer Steve Burch recently gave an excellent talk on Producing Animation, aimed at students hoping to start up their own small businesses and take on commercial freelance jobs. What are the challenges involved in successfully bidding on, winning - and delivering - a freelance animation job?