Developing "The Zoo" for Warner Bros in the 1990s

Development drawings for "The Zoo"

Back in the late 1990s I had the privilege of doing some early development work for a Warner Bros Feature Animation feature film provisionally titled "The Zoo".  

The Zoo never made it to production, but the experience was a fascinating dive into the creative process of a major studio - and also
a lesson in the unpredictable nature of the industry.

How to Pitch an Animated TV Series

The Art of the Pitch

Here at Animation Apprentice we don't just teach the mechanics of animation, we also teach the art and craft of creativity and creative thinking.

Every great animation series began its life as a humble pitch - even mighty Peppa Pig started out as an idea in a sketch book.

There is nothing to stop our students creating the next Bob The Builder or Mr Bean.

What Goes into an Animation Bible?

Shorescripts.com is an excellent resource for aspiring writers and creators, not just for traditional scriptwriters but also for anyone interested in pitching their own  animated TV series.

Best of all is this link to a full page of animation bibles, including classic TV shows like He-Man and Batman, showing how writers and animators go about putting together the all-important animation "bible", the crucial part of any animation pitch.

Pixar Colour Scripts

Finding Nemo Colour Script.

Colour Scripts are an important part of the animation process; they allow the director to get a feel for what the movie will look like, long before the animation and lighting is complete.

Sequence by sequence, and even shot by shot, colour stylists (i.e. painters) plan the mood and look of the film as part of the pre-production process.

To see the master designers at Pixar at work, follow this link to view the actual colour scripts used on hits like Finding Nemo.

Enter the Character Design Challenge!

Character Design Challenge!

Calling All Character Designers! There are just two days left to enter this month's Character Design Challenge!

The CDC is a bit like the Eleven Second Club, but for character designers. It launched in 2015 and already has over 25,000 thousand members.

This month's design challenge is .....Carnival of Venice! So what are you waiting for? Let's get designing!

How to Create a Great Animation Pitch

Learning to pitch is an important skill for any artist. Sooner or later you will be called on to persuade a client that you have a great idea to sell their product, or perhaps try to sell your own idea for a TV series or feature film to a network or production company. Either way, you're going to need to learn how to pitch your ideas. Pitching is not just about standing up and delivering a persuasive summary of your awesome idea, it's also about what should go into it in the first place. How much character work and design do you need to do? How well thought out does your story need to be?  In this excellent blog post, Disney designer Chris Oatley explains what goes into a great animation pitch and bible.