Alex Williams 2D Animation Reel

Recently I've been digging around online to find HD copies of some of the best shots I have done on various 2D animated feature films over the years (my existing 2D animation demo reels were of doubtful quality, with low resolution images). Above is a selection of my best work on films from "Roger Rabbit" in the 80s and 90s all the way through "Thief and The Cobbler", "Iron Giant" and "Sinbad" (my last 2d feature) in the early 2000s.  Edit by Miguel Teixeira, music by Pixabay.  All in full HD. 

What I Learned Animating on "The Lion King"

"I know that your powers of retention..."

In the summer of 1993 I had the great good fortune to work at the Walt Disney Studios in Los Angeles on The Lion King, animating under the guidance of lead animator Andreas Deja, who supervised the animation of Scar, voiced by Jeremy Irons.

For a junior animator, it was a dream job, and an education in character animation.

"Rollercoaster Rabbit" Animation Demo Reel

This is a short compilation reel of the shots I animated on "Rollercoaster Rabbit" at the Disney MGM Studios in Orlando, Florida in 1989. It was a huge pleasure working on this project, directed by the very talented Rob Minkoff.  This was a summer job for me (I was a student in London at the time), and the storyboards were delayed, so I only managed to complete a few shots.  Still, I was proud to have worked on this very entertaining short film. 

What I Learned Working on "Pocahontas"

"Their skin's a hellish red, they're only good when dead"

One of the best experiences of my animation career was working at the Disney Studio in Los Angeles in the summer of 1994 on "Pocahontas", animating the villainous Governor Ratcliffe supervised by lead animator Duncan Marjoribanks. 

Duncan was a generous mentor, and I learned a huge amount under his guidance, as well as learning from directors Mike Gabriel and Eric Goldberg. 

Being "Goofy" at Walt Disney World in 1989

In the summer of 1989 I was working at the Walt Disney Studio in Orlando, Florida on the animated short RollerCoaster Rabbit, directed by Rob Minkoff.  

It was a dream summer job (I was a student at University in the UK at the time), working at the Orlando animation studio - which was then part of the Disney World Park, and an attraction in itself.  Visitors would stroll through the "animation ride" and gaze through the glass walls, watching the animators busily at work. 

On my last day at the Studio, when I was due to head back home, studio head Max Howard offered me the chance to play Goofy - to be one of the Disney characters in the park itself.   

And so, in the sweltering summer of 1989, I had the surreal pleasure of stepping into the oversized shoes of Goofy at Walt Disney World.

Beyond The Glass: The WDW Animation Building

Directed by Dane T. and free to watch at YouTube, Beyond The Glass: The WDW Animation Building is a new feature length documentary about the Orlando, Florida branch of the Walt Disney Animation Studios - known as Walt Disney Feature Animation at the time.  For me personally it's a trip down memory lane, as I started my own animation career at Disney MGM Studios on "RollerCoaster Rabbit" back in the late 1980s.  

Walt - The Man Behind The Myth

Sometimes it's time to down tools and learn a bit about the history of animation. The pioneering giant upon whose shoulders all animators stand was Walt Disney. To understand why Disney was such a transformative figure in the history of the animation industry, watch "Walt – The Man Behind the Myth" -  a biographical documentary on the man who founded the Walt Disney Studios.  The documentary was narrated by Dick Van Dyke and directed by Jean-Pierre Isbouts.

James Baxter Animation Webinar 30 June

James Baxter

On 30 June at 6pm Escape Studios is hosting a live animation webinar with legendary Disney and DreamWorks animator James Baxter.  

The event is free, and we are recommending that all our students register and sign up. 

James began his animation career on Who Framed Roger Rabbit? and has since worked on dozens of animated films.  

Why Animators Should Apply for Jobs Twice

In the short video below, I explain why student animators should apply for animation jobs more than once. 

Rejection is normal; not getting a job is always frustrating, but you should never be downhearted.  Instead, wait a while, update your demo reel, and then re-apply.  

Back in the '90s at Disney Animation it was said that no-one got into Disney the first time around - you had to apply two or three times for the company to believe that you really, really wanted the job. Being rejected is never a reason to give up; keep applying until you land that crucial first job in the industry. 

Webinar: Animation Writer Evgenia Golubeva

Last week I interviewed one of my former students, Evgenia Gurova, who has become a successful writer at Disney Animation.  Evgenia is an award-winning animator, writer and director; she has also forged a career as a writer and independent film-maker, entering her animated films in festivals around the world and winning international prizes for her work. For anyone who missed the live event, watch the video above to find out more about Evgenia and her remarkable career.

Roger Rabbit Reunion at Disney

Doy, Alex, Nik Ranieri, Ross Anderson, Burny Mattinson, Max Howard, Charles Fleischer, Andreas Deja

Who Framed Roger Rabbit was released in the summer of 1988, making the movie 31 years old this year.  On Friday at Disney in Los Angeles we had an informal reunion with some the people who worked at the film, hosted in the Rotunda Building by Disney marketing head Howard Green.  Lead animator Andreas Deja was there, as well as Burny Mattinson, officially the longest serving employee of The Walt Disney Company,  Producer Max Howard, Charles Fleischer, the voice of Roger Rabbit, Ross Anderson, who has written the history of the film, animator Nik Ranieri, and me.

Dream On Silly Dreamer

Dream On Silly Dreamer is now available at YouTube - anyone interested in the history of the Disney Studio should watch this film to see how the magic of the Disney Renaissance came about. It's also a window into the making of traditional 2D animation.

MPC and a Flying Elephant

At last week's VFX festival at Escape Studios, MPC lead animator Oliver Dale explained how MPC approached the Making of Dumbo, the 2019 re-make of the 1940s animated Disney classic.

The starting point for the animators was to begin with live action reference. Dumbo is a baby elephant, so his motion has been based on real footage, and he has to fit into the real world of live action photography.

The animators began the process by animating walk and run cycles, and then added their own embellishments, to make the process "as efficient and as refined as possible".

Bringing Dumbo to life was a big challenge, in part because of the high expectations of this re-make of a much-loved film.

Thumbnailing Baloo by Frank Thomas

Continuing this weeks' theme on the making of animation thumbnails, in the video above I show how Frank Thomas thumbnailed a shot from The Jungle Book, way back in the 1960s. Frank Thomas was one of the greatest Disney animators, one of Disney's so-called "Nine Old Men" (the studio's animation elite), and the system of using thumbnail sketches to plan your animation hasn't changed a lot since then.  The trick is to create a plan for your animation so that, long before you start creating poses in Maya, you already have the shot figured out in your head.

Chuck Jones Animation Tutorial

In this excellent 13 minute animation tutorial, actor and director Ron Howard introduces the work of animation legend Chuck Jones, the creative master behing the Road Runner and Bugs Bunny. There are other great voices here too - such as Disney animation stars Glen Keane and Eric Goldberg (the latter the author of the excellent "Character Animation Crash Course" - one of the books on our rstudent eading list).  The video is a great introduction to the basic principles of animation, such as anticipation, squash and stretch, secondary action and overlapping action. We're recommending it to all our students.

How To Get a Job as an Animator - By Tom and Tony Bancroft

Check out Tom and Tony Bancroft's podcast on How to Get a Job as an Animator.

I worked with both Tom and Tony Bancroft back in the days when the Disney Studio in Orlando, Florida was just a feldgling startup - long before it produced movies like Brother Bear and Mulan. We worked together as animation rookies on the short film "Rollercoaster Rabbit".

Both Tom and Tony excellent animators who went on to have a great career at Disney.  So what, exactly, do they say is the secret of getting a job?

Marc Godfrey Takes the Magic of Disney Animation Tour at Disneyland

Marc Godfrey was one of our first students at Animation Apprentice and is now working as an animator at Blue Zoo, one of the UK's leading independent animation companies.

Marc recently went to Disneyland where he took the Magic of Disney Animation Tour. He had taken the tour before, but this time he visited as an animator in his own right, thriving and succeeding in the industry.  Here is what he wrote:

"Four years ago, on the Animation tour at Disney, I decided to train as an animator (left pic). It's kinda overwhelming and lump-in-throat-ish coming back, knowing that this time, I am an animator (right pic)."

To see how Marc Godfrey succeeded in realising his dreams in the animation industry by studying at Animation Apprentice, follow this link.

Master Animator Glen Keane Introduces Nephtali

Ever wondered what master animator Glen Keane has been up to since he left Disney back in 2012? "Nephtali" is what. In this beautiful short film combining live action with animation, Glen shows why he is regarded as one of the best animators alive. I was lucky enough to have worked with him on Pocahontas back in 1994, and the animation notes he distributed for newbies like me are still among the most valuable training materials I use in the classroom today.  In this film, Glen shows us why traditional 2D animation still matters.

Walt Disney Biography at PBS

Walt Disney at PBS

PBS has just broadcast a major new documentary on the life of one of the greatest Americans - Walt Disney.  If you missed the original broadcast you can now catch up at the PBS website here.

Why should animators learn about Walt Disney?  Because he was the founder of our industry, and the man who above all others defined the medium we work in today.  His methods have never been surpassed and even today animated films are still made essentially the same way he made them - though with better technology.  The PBS download is absolutely free.

How Disney Animators Created Beautiful Acting in Frozen

Watch Disney's smash hit animated film Frozen and you will find some first class acting, beautiful work which arguably takes the medium to a whole new level of sophistication and skill. But how do animators achieve such great acting? The answer of course is just the same as it would have been at the Disney studio 70 or 80 years ago: if you want great acting, study great actors. Below is an excellent shot progression showing how animators on Frozen used live actiion reference to bring their shots to life.