How do you create thumbnail sketches for character animation? Learning how to create thumbnail sketches is a very important skill, even for animators who don't draw well, because thumbnail sketches are an important tool for planning animation. Even 3D animators who aren't that comfortable with drawing are encouraged to have a go at the thumbnailing process, because it is so valuable for planning character animation. Watch the video above to see how to create simple but expressive thumbnail sketches for this month's "11 Second Club".
Friday, 22 April 2022
Tuesday, 19 April 2022
"Journey of Life" Hon Mention at DSFF
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"Journey of Life" wins Hon Mention at DSFF |
"Journey of Life" was written, produced and directed by Robin, currently studying for his MA in 3D Animation with our degree-awarding partner Buckinghamshire New University.
Sunday, 17 April 2022
Summer Class Starts 2nd May 2022
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The book all animators need |
So, how to get ready for the start of class? It's always good to do a little preparation.
Tuesday, 12 April 2022
Hold Ms Bs and Ps for Two Frames
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Hold Ms Bs and Ps for 2 frames minimum |
The reason for this is that we need to compress our lips together to make these shapes, after which there is a little expulsion of air.
For Ms Bs and Ps to read clearly, they need to be making the shape on the screen for at least two frames, even if the dialogue is rapid.
Monday, 11 April 2022
Why Live Action Reference Needs Exaggeration
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Edward Muybridge |
Animators should always remember that our job is to give a performance. This means using live action to create realistic, believable animation, but then going further, pushing it, and exaggerating the results. Good animation is a caricature of life, not a copy of it.
Live action reference is a very powerful tool, one which I have myself relied upon countless times on many feature films to get my shot completed on time. It is a technique used by animators all over the world.
Sunday, 10 April 2022
Journey of Life "Hon Mention" in Florence Fest
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Journey of Life Hon Mention at Florence Film Awards |
"Journey of Life" was written, produced and directed by Robin, currently studying for his MA in 3D Animation with our degree-awarding partner Buckinghamshire New University. This is the film's third festival award.
Saturday, 9 April 2022
How Much Animation Do Studios Expect?
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How many seconds? |
On a TV series where budgets are tight and deadlines loom, an animator might be expected to complete as much as 30 seconds of completed animation each week.
Wednesday, 6 April 2022
Robin Herrmann Wins March 11 Second Club
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Robin Herrmann wins 11 Second Club |
Robin Herrmann's superb animation was created as part of Module DA702 - the character animation module taught as part of the MA in 3D Animation, delivered in partnership with our degree-awarding partner - Buckinghamshire New University.
This is the latest success for Robin whose short film "Journey of Life" has been winning festival awards.
Monday, 4 April 2022
Journey of Life Best 1st Director Halicarnassus
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Journey of Life Best 1st-Time Director at Halicarnassus |
"Journey of Life" was written, produced and directed by Robin, currently studying for his MA in 3D Animation with our degree-awarding partner Buckinghamshire New University.
This is the film's second festival award.
Saturday, 2 April 2022
"Early Bird" Best Animation at IndieFilmopolis
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Dan Fitzgerald Wins Best Animation |
Early Bird won "Best Animation" at the IndieFilmopolis Film festival.
Early Bird is about a bird who catches the early worm - or tries to. Dan's short film has won many festival awards.
Dan Fitzgerald took our 26 week course at Animation Apprentice, learning 3D Animation skills to a professional level of quality.
Dan recently won the BAA Ident Challenge for his awesome BAA Ident Animation.
Friday, 1 April 2022
Why Lipsync Should Be "Two Frames Ahead"
Cliff Nordberg |
For your audience to be able to read the lip sync clearly you'll want to offset the jaw opening at least two frames before the audio is actually heard.
If you have the jaw opening and closing exactly on the frame that the audio is heard, your lip sync will feel slightly "off sync", ie a little late.
Sunday, 27 March 2022
"Journey of Life" Wins Best 1st Time Director
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Journey of Life Wins Best 1st Time Director at Vesuvius |
"Journey of Life" was written, produced and directed by Robin, currently studying for his MA in 3D Animation.
"Journey of Life" was completed during the course of Robin's animation studies; this is its first festival award.
Tuesday, 22 March 2022
Artifact Wins Best No Budget at DSFF
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Artifact wins Best No Budget Film at DSFF |
"Artifact" is an animated short film written, produced and directed by Kristis, currently studying at Animation Apprentice for his MA in 3D Animation. This is the film's fourth festival award.
Thursday, 10 March 2022
Animation Apprentice 2022 "BAA" Idents
British Animation Awards Ident from Noad Animation on Vimeo.
The British Animation Awards ("The BAA's") are back tonight - celebrating the best of British Animation. The BAAs take place every two years at London's South Bank, and this year the organisers offered our students the chance to animate an ident for the Awards Ceremony at the BFI. To see what our students came up with, take a look at the winning ident above, created by Dan Fitzgerald, and two more examples below, by Brandon Barwise and Parminder Kauldhar.Wednesday, 9 March 2022
Artifact Special Mention at One Reeler Film Fest
Artifact wins Special Mention at One Reeler Fest |
Tuesday, 8 March 2022
Storyboarding for People Who Can't Draw
For all our students storyboarding their short film projects we're recommending the video above by Russell Hasenauer titled "Storyboarding for People Who Can't Draw". It's a useful video because it helps to explain how the storyboarding process can be achieved even by students who don't draw well, or lack confidence in their drawing. Storyboarding is not chiefly about drawing - it's about how you juxtapose shots to tell a story, ideally clearly and simply.
Thursday, 3 March 2022
What is "Grammelot"?
What is Grammelot? And why do animators need it? Sometimes you want your characters to speak, but what they are actually saying isn't really that important. Much more significant is the tone, and what that tone tells us about the character doing the speaking. Think of the adults in the old Charlie Brown feature films; they spoke in a dreary unintelligible monotone. We didn't know what they were saying, but we didn't need to - their tone of voice told us everything we needed to know. And the content of their speech was far less important than what the Peanuts' kids had to say.
Monday, 28 February 2022
Nine Ways to Create a Great Animation Pose
How do you create a great pose in animation? Creating great poses is a necessary skill for all animators to learn. In the video above, I suggest nine ways that an animator can create a great pose - the key starting point for a great acting scene.
Sunday, 27 February 2022
Body Language for Animators
Body language is as important as spoken language, and just as important for animators to learn. Animators are actors (with a pencil or a mouse) and we must understand how body language can be used to communicate emotion, and how to create great poses in our work. A great pose should communicate what the character is thinking and feeling. In the 13 minute video above, I explore some of the basic principles of body language and how these can be applied to character animation.
Thursday, 24 February 2022
Introducing Journey of Life by Robin Herrmann
Meet "Journey of Life", a new short film created by Animation Apprentice student Robin Herrman. "Journey of Life" was written, produced and directed by Robin, currently studying for his MA in 3D Animation at Animation Apprentice, in partnership with our degree-awarding partner, Buckinghamshire New University. "Journey of Life" is currently being entered into film festivals.
Tuesday, 22 February 2022
Aid Film Wins Best No Budget at Dreamer's Fest
"What is Wrong...?" Wins Best No Budget at Dreamer's Fest |
Directed by Monika Dzikowicz, the two minute micro-documentary tells the story of an aid organisation which has lost sight of its founding principles. It was made under the aegis of Nano Films, our film co-operative.
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