Anna Zielinska Animator at Fundamental VR

Anna Zielinska

Many congratulations to Animation Apprentice graduate Anna Laura Zielinska on her job as an animator at Fundamental VR, a company that specialises in medical animation - bringing surgical procedures to life, and helping to teach the next generation of surgeons their life-saving skills.

Fundamental surgery specialises in low-cost virtual reality surgical simulation.  Digital surgical simulations provide medical professionals with low-risk hands-on experience,  resulting in much better patient outcomes.

El Suliman - Lion King Lead Animator

El Suliman

Last week MPC lead animator El Suliman was in London talking about his work on the Disney blockbuster "The Lion King".

El was speaking at Escape Studios, at one of their regular "Evening With" events.  El Suliman was an animation lead on The Lion King, and he animated many of the key shots on the film.

El explained how the animators approached the animation on this hugely complex and ground-breaking movie, which raises the bar for creature animation. 

Summer 2019 Animation Demo Reel

Take a look at some of the great work done by our students over the past year. Congratulations to Amedeo Beretta, Anna Zielinska, Jeton Lakna, Joe Gamble, Lee Caller, Olavo Lins, Oliver Canovas, Tim Milson and Victoria Bailey.

Animating "Venom"

Venom

Troy Saliba, animation director at Double Negative, gave a talk in London earlier this year, to talk about his work on the blockbuster release: Venom.

Troy was my animation director on "Monster House", way back in 2005, so it was a pleasure for me to see him again, and welcome him to London, where he is now working for DNeg in Soho.

Troy's talk was a masterclass in how animators work alongside VFX artists on FX-heavy films, where the final result, with all the FX work added, can often look quite different to the animator's initial keyframe animation.

The result is that, on films like Venom, animation and FX are heavily interlaced, requiring careful collaboration between departments, and plenty of back-and-forth to get the right final result.

Animation Taster Day 7th August

Eagle by Lee Caller

Interested in learning 3D animation, but not sure you want to commit to a whole course? We're running a new Animation Taster Day in London on 7th August, at Escape Studios at 190 High Holborn.

Taster Days are a great chance to learn about character and creature animation, and find out what an animator's job is all about.

You will learn how to use Autodesk Maya and get a hands-on introduction to 3D Animation techniques; the full day costs just £25, and by the end of the day you'll have your own piece of creature animation uploaded to your YouTube channel.  No prior knowledge of Maya - or any software - is required.

Dream On Silly Dreamer

Dream On Silly Dreamer is now available at YouTube - anyone interested in the history of the Disney Studio should watch this film to see how the magic of the Disney Renaissance came about. It's also a window into the making of traditional 2D animation.

Get Ready for our September Class

Animation by Joris Van Laar

Our September classroom is now taking applications, and the new autumn class begins on Monday 2nd September.

It's not too late to book a place; all you need to do to start a conversation is head over to our main site and fill in a form.

If you want to learn 3D animation to a professional level - your journey starts here.

The Lion King - Which is Better? New or Old?

I went to a preview of The Lion King last night fully prepared to dislike the new film - how could anyone top the original? And why bother with a re-make, other than to please the shareholders? (But maybe I'm just jealous - I don't own any Disney shares)

Of course, I am very biased, having worked on the original Lion King back in 1993, so I was doing my best not to enjoy the movie and to persuade myself that the original film was still the undisputed king.

But MPC, the London VFX house that did all the animation, have raised the bar for animal and creature animation to such a level that it's impossible not to be impressed by the sheer skill of the digital artistry.

The Lion King is a triumph not just of technology but of great storytelling, as the film-makers kept most of the original film but wove in new elements to keep the story fresh.

Dialogue & Lipsync Tutorial

Dialogue by Joris Van Laar

We've uploaded a new tutorial on animating Dialogue & Lipsync to our Vimeo channel.

In this 8-part video, we explain how to approach the challenge of animating dialogue and lipsync, breaking the process down into a simple, dependable workflow.

"Eat Drink Animate" by Tom Sito

Who knew animators could cook? Tom Sito, USC animation professor, co-director of Osmosis Jones and Emeritus President of the Animation Guild, has written a cookbook celebrating the recipes of animation artists.

"Eat Drink Animate" is where you can learn the secrets of Walt Disney's chili and and Tissa David's Hungarian Goulash.

I should declare an interest here - the book includes one of favourite recipes, Poisson a la BAFTA, which was reverse-engineered a few years ago from a dish I liked so much while dining at BAFTA Piccadilly that I decided to try and make it myself.

Tom is a prodigious author, with many books on animation and animation history to his name.

How to Animate Eye Darts

Above is a short video using the free Eleven Rig, on how to animate eye darts - fast moving micro-changes of eye direction. Animators should always remember that eyes are the window to the soul - it's the thing the audience will look at most, and one of the most common mistakes made by junior animators is fail to pay enough attention to their character's eyes.  Our eyes are very expressive, and the eyes are what we look at when we seek signals for how another person is thinking and feeling. The human eye is directly connected to the brain, and the audience will watch your character's eyes. There are endless variations on eye expressions, and it's important to get it right. So, how do animators animate a character's eyes?

Escape Studios Free Summer School 8-10 Aug

This Summer Escape Studios in London is partnering with Access VFX, London SIGGRAPH, 3Dami, and and We Are Stripes to host a free Animation Summer School.

The event takes place over three days in August,  and is aimed at 11-16-year olds interested in a career in the animation industry.

Escape Studios will host a range of free workshops across 3 days on Thursday 8th August, Friday 9th August and Saturday 10th August.

BAFTA Guru Live Sat 14th September

Mark your calendars - BAFTA Guru Live is taking place in London on the weekend of Saturday 14th and Sunday 15th September.

We strongly encourage our students to attend at least some of the workshops; tickets are very inexpensive (just £6 for each masterclass) and are aimed at students and rising talent.

Animation Apprentice is Going to VIEW

VIEW Conference 2109

Animation Apprentice is going to VIEW, the 20th International VFX & Computer Graphics Conference that takes place every year in Turin.

This year the VIEW conference runs from Monday 21st October until Friday 25th October.

We'll be there, participating in panel talks and also running a one-day masterclasses in Maya demonstrating some creature animation techniques.

Our classes are aimed at complete beginners and require no prior experience with Maya.

Ross Anderson Pulls a Rabbit from his Hat

Ross Anderson

Canadian author and animation historian Ross Anderson has finally finished his book - Pulling a Rabbit Out of a Hat - The Story Behind the Making of Who Framed Roger Rabbit?. 

Ross was first interviewed by animation blog FLiP back in 2013, about writing of the book, which has taken six years to bring to fruition.

Ross's book has finally hit the bookshelves; he was signing copies this week at this year's Annecy film festival.

Ross's book aims to be the definitive history of the making of the film. I've been looking forward to buying my copy for years. Among the highlights are Tom Sito's hilarious sketches and scribbles that documented the roller coaster ride that was the making of the film.

Pixar Advice for Graduates

Check out this excellent just-released video from Pixar on tips for animation graduates, offering some great advice on how to break into the industry. Among the most interesting comments from Pixar employees: "I applied....three times; friends and family told me to give up, saying, 'they're just not that into you'." (she made it in the end).  Another one says "Every time you get rejected...is an opportunity for you to improve yourself". And also "the learning didn't stop in college, there are still opportunities to improve yourself".  Great advice from some great talent. To see why animation graduates need to be the rhino, read this blog post.

Nickelodeon Explains the Art of the Pitch

David Steinberg at Annecy

Animation veteran David Steinberg from Nickelodeon made a great presentation at this year's Annecy animation festival on how to pitch animation ideas to Nickelodeon.

Nick does most of the design and creation in house, but the "meat and potatoes" of animation is usually subcontracted out to other studios, often overseas, around the world.

So, what does Nickelodeon ("Nick", for short) look for in an animation pitch?

MPC and a Flying Elephant

At last week's VFX festival at Escape Studios, MPC lead animator Oliver Dale explained how MPC approached the Making of Dumbo, the 2019 re-make of the 1940s animated Disney classic.

The starting point for the animators was to begin with live action reference. Dumbo is a baby elephant, so his motion has been based on real footage, and he has to fit into the real world of live action photography.

The animators began the process by animating walk and run cycles, and then added their own embellishments, to make the process "as efficient and as refined as possible".

Bringing Dumbo to life was a big challenge, in part because of the high expectations of this re-make of a much-loved film.

ILM & "Fallen Kingdom" at the VFX Festival

Fallen Kingdom

One of the highlights of today's VFX Festival at Escape Studios in London was the presentation by Jance Rubinchik, animation supervisor at ILM on the making of Jurassic World, and Fallen Kingdom.

The talk was a masterclass in creature animation, demonstrating how much careful research goes into the creation and animation of the dinosaurs.

The Jurassic World series of movies as are a "balance between science and entertainment", as the film-makers try to keep both audiences and paleontologists happy.

From the point of view of animators looking to tackle realistic dinosaur animation, the lesson is simple: use as much reference as you can, and make sure you use live action reference that is as close as possible to the anatomy of the creatures you are trying to animate. 

Why Animators Have Too Many Poses

Art Babbitt & Richard Williams, c1973

One of the most common mistakes made by student animators is to have too many poses, making the overall performance feel too busy, too over-animated.

Veteran Disney animator Art Babbitt used to say that junior animators had too many poses, and veteran animators had too few. When we start off young and enthusiastic we tend to throw in the kitchen sink.

The trick is to have the right number of poses for a shot, and let the characters stay a while in the poses we have chosen. The best way to do this is to draw clear thumbnails at the beginning, with clear poses, and not have too many poses for the shot.

VFX Festival June 5-6 in Central London

The VFX, Games and Animation Festival 2019 is back again, this time taking place 190 High Holborn WC1 in central London.

This year the VFX festival has been split into three separate but overlapping events. All of the events are well worth attending, and we strongly recommend that any of our students in the London area attend.