Friday, 22 April 2022

How To Create Thumbnails for Animation

 

How do you create thumbnail sketches for character animation? Learning how to create thumbnail sketches is a very important skill, even for animators who don't draw well, because thumbnail sketches are an important tool for planning animation.  Even 3D animators who aren't that comfortable with drawing are encouraged to have a go at the thumbnailing process, because it is so valuable for planning character animation.  Watch the video above to see how to create simple but expressive thumbnail sketches for this month's "11 Second Club"

Tuesday, 19 April 2022

"Journey of Life" Hon Mention at DSFF

"Journey of Life" wins Hon Mention at DSFF
Many congratulations to Animation Apprentice student Robin Herrman whose short film "Journey of Life" has won an Honourable Mention for Best No Budget Film at the Dreamer's Short Film Festival (DSFF).

"Journey of Life" was written, produced and directed by Robin, currently studying for his MA in 3D Animation with our degree-awarding partner Buckinghamshire New University.  

Sunday, 17 April 2022

Summer Class Starts 2nd May 2022

The book all animators need
Our next class at Animation Apprentice starts on Monday 2nd May 2022. We're excited to welcome new students on their animation journey; junior animators are still very much in demand, especially in our home town of London, and my inbox is full of requests from studios for fresh talent.

So, how to get ready for the start of class? It's always good to do a little preparation.

Tuesday, 12 April 2022

Hold Ms Bs and Ps for Two Frames

Hold Ms Bs and Ps for 2 frames minimum
One of the rules of animating lipsync is that you should always hold Ms Bs and Ps for at least two frames if you want them to "read" clearly.

The reason for this is that we need to compress our lips together to make these shapes, after which there is a little expulsion of air. 

For Ms Bs and Ps to read clearly, they need to be making the shape on the screen for at least two frames, even if the dialogue is rapid.

Monday, 11 April 2022

Why Live Action Reference Needs Exaggeration

Edward Muybridge
Using live action reference to create great animation is one of the key techniques we teach at Animation Apprentice. However, as a technique, it has its risks, the main risk being that the animator follows the live action too closely, and the final performance ends up being floaty, weightless and "spliney".

Animators should always remember that our job is to give a performance. This means using live action to create realistic, believable animation, but then going further, pushing it, and exaggerating the results. Good animation is a caricature of life, not a copy of it.

Live action reference is a very powerful tool, one which I have myself relied upon countless times on many feature films to get my shot completed on time. It is a technique used by animators all over the world.

Sunday, 10 April 2022

Journey of Life "Hon Mention" in Florence Fest

Journey of Life Hon Mention at Florence Film Awards
Congratulations to Animation Apprentice student Robin Herrman whose short film "Journey of Life" has won an Honourable Mention in the category of Animation at the Florence Film Awards.

"Journey of Life" was written, produced and directed by Robin, currently studying for his MA in 3D Animation with our degree-awarding partner Buckinghamshire New University.  This is the film's third festival award. 

Saturday, 9 April 2022

How Much Animation Do Studios Expect?

How many seconds?
How much animation does a studio expect an animator to deliver each week? The answer depends on the studio, and what kind of work is being expected. On a high-end feature film such as the kind made by Disney and Pixar, an animator might be expected to complete around five seconds of animation each week - and sometimes even less.

On a TV series where budgets are tight and deadlines loom, an animator might be expected to complete as much as 30 seconds of completed animation each week.

Wednesday, 6 April 2022

Robin Herrmann Wins March 11 Second Club

Robin Herrmann wins 11 Second Club
Congratulations to Animation Apprentice student Robin Herrmann who has won the monthly 11 Second Club for March 2022

Robin Herrmann's superb animation was created as part of Module DA702 - the character animation module taught as part of the MA in 3D Animation, delivered in partnership with our degree-awarding partner - Buckinghamshire New University. 

This is the latest success for Robin whose short film "Journey of Life" has been winning festival awards. 

Monday, 4 April 2022

Journey of Life Best 1st Director Halicarnassus

Journey of Life Best 1st-Time Director at Halicarnassus
Congratulations to Animation Apprentice student Robin Herrman whose short film "Journey of Life" has won an award for "Best First Time Director" at the Halicarnassus Film Festival.  

"Journey of Life" was written, produced and directed by Robin, currently studying for his MA in 3D Animation with our degree-awarding partner Buckinghamshire New University.

This is the film's second festival award. 

Saturday, 2 April 2022

"Early Bird" Best Animation at IndieFilmopolis

Dan Fitzgerald Wins Best Animation 
Congratulations to Animation Apprentice graduate Dan Fitzgerald who has won another festival award for his short film "Early Bird".  

Early Bird won "Best Animation" at the IndieFilmopolis Film festival.

Early Bird is about a bird who catches the early worm - or tries to.   Dan's short film has won many festival awards.

Dan Fitzgerald took our 26 week course at Animation Apprentice, learning 3D Animation skills to a professional level of quality. 

Dan recently won the BAA Ident Challenge for his awesome BAA Ident Animation.

Friday, 1 April 2022

Why Lipsync Should Be "Two Frames Ahead"

Cliff Nordberg
Why should your lipsync always be at least two frames ahead of the audio? Because there is a very slight time delay between our mouths making a shape, and the sound being expelled from our lips.

For your audience to be able to read the lip sync clearly you'll want to offset the jaw opening at least two frames before the audio is actually heard. 

If you have the jaw opening and closing exactly on the frame that the audio is heard, your lip sync will feel slightly "off sync", ie a little late.