Why Animators Need Treadmills for Walk Cycles

Animating walk cycles can be tricky; it can be especially troublesome to get the character's feet moving backwards at a steady speed, without bumps or wobbles. This is especially true for animators animating a walk cycle "on the spot", where the body stays in place but the feet move backwards underneath the body. To help solve the problem, it makes a lot of sense to import a treadmill into the shot. The treadmill helps to clarify the mechanics of shot, and allows the animator to visualise what is going on when the feet travel backwards.

Why Animators Need Thumbnail Sketches

The secret of good animation is in the planning, and good animators always plan their work.

The single most important skill that animators learn at Animation Apprentice is how to develop a reliable workflow for animation, so that our students can tackle any animation task with confidence.

One of the key tools our students learn is how to thumbnail their work. Thumbnail sketches are quick, expressive, simple drawings that are used to plan the action and tell the story of the shot in a few simple clear poses.

Why Animators Always Create a Shot Camera

One of the most common mistakes made by junior animators is to forget to create a shot camera, or to delay creating one until it's too late. If you were on a live action set, one of the first things you would do is set up your camera and decide what the shot was going to look like. But in Maya, because we get a Perspective View for free, animators often forget to create a shot camera. This is a mistake - watch the video above to find out why.

Webinar with Disney Writer Evgenia Golubeva

Evgenia Golubeva

Join me on 13th August at Noon for an animation webinar with Evgenia Golubeva, one of my former students, who is now a writer at Disney Animation.

In this free webinar I'll be asking Evgenia some questions about her remarkable career in animation.

Evgenia is an award-winning animator, writer and director who is currently working as a writer at Walt Disney Animation in London.

Evgenia took my animation course, and has since forged a career as a writer and independent film-maker, entering her animated films in festivals around the world and winning international prizes for her work. You can sign up for the webinar here.

How Much Should I Charge for a Freelance Job?

One of the most common questions I get asked at Animation Apprentice by recent graduates is this: "What should I charge for my first freelance job?".

First of all - congratulations! You have your first client. Now you have to figure out the scope of the work, and how much to charge.

Generally, at the start of your career, you want to keep your rates as low as possible. Work as cheaply as you can afford to in the beginning, do a good job - and your clients will come back for more. Before you know it, you'll be building up a portfolio career as a freelance animator.

Charlie & Yip Best Film at Film One Fest

Here at Animation Apprentice we're proud to announce that my short film "Charlie and Yip" has won "Best Animation" at the Film One Fest.

Charlie and Yip is a short film about a kid who takes his pet to school for Show and Tell, which turns out to be a bad idea. It's a really a teaser for my indie feature film project "My Haunted House", which is still in development.

Bonus Week - Performance Capture

We've added a new video tutorial demonstrating the use of motion capture in animation, showing animators how to take a character with motion capture data and clean it up to create polished animation.

Performance Capture, or Motion Capture, (or "MoCap"), is a growing part of the animation industry. It's something our students need to be able to work with effectively, as many animation studios - and especially games studios - rely heavily on MoCap for their animation pipeline.

The tutorial uses the popular and dependable Norman rig, which can be downloaded free here.

How to Block Out a Pantomime Shot

Phone Call Blocking by Mark Masters

How do you block out and plan a pantomime animation - an animated scene without dialogue? The trick with animation is to plan it out thoroughly in advance.

In the case of pantomime animation, we teach a workflow that is reliable and dependable, one which will get your shots approved on time, with minimal aggravation.

The secret of success lies, as ever, in the planning. Plan your work properly and you won't go wrong.

"Meet the Scottish Studios" on July 23rd

The Scottish animation industry is hiring - so it's time find out about job opportunities north of the border.

Animated Women UK are hosting a free online event for recent graduates titled "Meet the Studios", featuring representatives of some of Scotland's most successful animation studios, including Axis, SellOut and Wild Child.  The event takes place online on Thursday July 23rd from 3-5pm.

Oliver Canovas Animator on "Hat Shop"

Oliver Canovas is one of our student animators at Animation Apprentice; he graduated with honours in 2019, having been awarded his MA in 3D Animation.

Oliver recently collaborated with a student film project at Escape Studios, working on the short film "Hat Shop", written and directed by MA student Stevie Stedman.

"Hat Shop" is a short story set in a futuristic robotic world, and was completed entirely under Lockdown, working remotely from home. "Hat Shop" is currently being entered into film festivals.

Oliver did some excellent animation on the film, gaining useful experience on working on group projects, to a defined brief, taking direction and notes, and making changes to his shots. Most studio work is collaborative, so group projects of this kind are important in developing "soft skills" and teamwork.

Mike Makarewicz "Ask Me Anything" Tonight

Mike Makarewicz

We're delighted to welcome Pixar animator Michal Makarewicz for a webinar tonight at 6pm with our animation students.

Mike is a 17 year veteran animator at Pixar Animation Studios, and Co-Founder of the Animation Collaborative in Emeryville, California.

Mike has generously agreed to give up an hour of his time to talk to our students about animation, breaking into the industry, and what it's like to work on a Pixar film. All questions are welcome.

All About "Rig Wrecking"

Rig concepts from "Jerich0"

What is "Rig Wrecking"? Rig Wrecking, more commonly known as rig testing, is the process of testing your character rigs to make sure they can do everything you need them to do.

Sometimes known as stress testing, this process involves testing out all the controls to make sure everything works as it should, and all the geometry deforms correctly.

Rig testing is a necessary production step; it involves letting animators loose on the rig to do test animation. Skip this step and you will almost certainly find many problems cropping up during the animation stage of the production.

Introducing "Moon Rockz"

Jonathan Humphries is an animation student at Escape Studios who is due to be awarded his MA in Animation this summer.

Recently Jonathan volunteered to help out with "Moon Rockz", a short film made at Escape Studios, written and directed by Molly Babington.

"Moon Rockz" was a collaboration between students at Escape Studios and also at Animation Apprentice, involving both Jonathan Humphries and also Matt Neputin, also studying for his MA in Animation.

The film is a short story about the moon landings - as told from the Moon's point of view. It's a charming and funny film, to which our students contributed some excellent animation.

"Moon Rockz" is currently being entered into film festivals, and we wish it every success.

"Charlie & Yip" in Neum Film Festival

My short film "Charlie and Yip" is a finalist in the Neum Animated Film Festival which runs from June 27th to July 2nd.

Charlie and Yip is a short film about a kid who takes his pet to school for Show and Tell, which turns out to be a bad idea. It's a really a teaser for my indie feature film project "My Haunted House", which is still in development.

Funding feature films isn't easy in the current business climate, but it's important to remember that, despite all the troubles caused by the Corona virus, the animation industry continues to thrive.

Even as live action shoots have been closed down around the globe, animation keeps on going, as studios have moved to a purely online business model.

Dragon Flight Tutorial

Dragon in Flight Tutorial 

We've added a new animation tutorial to our animation library, showing students how to animate a dragon in flight.

The tutorial uses the free Jaemin Dragon rig by Truong, which can be downloaded here.

The dragon flight tutorial can be found here, and is free for all our students.

Make Your Playblasts Look Like Renders

We're liking this helpful video by Wade Nedstadt, hosted at YouTube, which shows animators how to make a desktop Playblast in Maya that looks almost as good as a full rendered movie file. Wade Nedstadt tweaks the Playblast settings in Maya, and explains how to create a Maya Playblast "that doesn't have to look awful anymore". It's a neat way to avoid long, time consuming renders, and a smart way to speed up your workflow.

Why Animated Characters Need to Breathe

Keep your characters breathing

One of the most common mistakes made by student animators is to forget that characters need to breathe. Even when the character isn't moving, they still need to stay alive, and keep breathing.

Breathing is something that we do without thinking about it, rather like blinking. A good animator adds breath to his character, and keeps them alive.

The trick is to get into a pose, and stay there, but not let the character stop moving entirely. Some motion is necessary, just to keep a character alive and breathing.

Why Animators Must Check Their Hookups

Jerich0 - excellent shot continuity

Why must animators check their hookups? Animators are commonly assigned to work on single shots on a project, which means there will be another shot, animated by another animator, on either side of theirs.

These shots must play together in continuity, meaning that there must be a smooth flow from one to another. The pose of a character at the end of one shot should be the same pose in the next shot, or else the shots won't "hook up".

In animation terms, hookups are nothing to do with Tinder, or online dating. Hookups are about continuity, and on a film project it is the animator's responsibility to make sure that their shot hooks up with the shots on either side of theirs.

Audio First, Then Animation

Do the voice recording first

Audio first, then animation.  One of the rules of animation film-making is that the audio comes first, then you do the animation. The voice recording for the actors is done first of all, cut into the edit, and then the animators create their performance to match the dialogue.

Sometimes film-makers will try doing it the other way around, animating the characters first and then adding the voice-over, but this is almost always a mistake. The reason for this is that it is very hard to post-sync the dialogue.

The rule of animation film-making is always this: record your dialogue first, then do the animation.

Head and Shoulders Don't Turn at the Same Time

Animator's Survival Kit

One of the most common mistakes that junior animators make is to animate a character turning all at once, moving the head and shoulders at the same time. The result is that the motion feels stiff and robotic.

The solution is to offset the body parts so that you either lead with one part - perhaps the head - and then the other parts follow.

The head can lead, and the shoulders follows, or the shoulders lead, and the head follows, whatever feels most natural. The trick is to break up the action so that the different body parts overlap one another, creating the illusion of flexibility and overlapping body parts, or "successive breaking of joints", as Art Babbitt used to call it.

How to Animate Quadruped Transitions

Free tiger rig from Truong

We're adding more animation tutorials to our Vimeo channel, including now a series on how to use the Time Editor (formerly known as the Trax Editor) in Maya to animate locomotion transitions.

The tutorials build our existing tutorials on quadruped locomotion, such as walks, trots and runs.

The transitions tutorial explains how different gaits can be combined using Maya's Time Editor.

Students who want to learn how to animate transitions should first learn to create a successful quadruped walk, trot and run cycle, before attempting to combine them into one piece of animation.