Open Broadcaster Software (OBS)

What is the best free screen recording software? For Mac users, Quick Time offers a simple and free solution. 

Another excellent option is the Open Broadcaster Software (OBS), which is free and highly effective. OBS is easy to install and free to use, for Windows and Mac devices.

"Charlie and Yip" Wins "Scream Award" in Berlin

I am pleased to announce that my short film "Charlie and Yip" has won the "Scream Award" at the Berlin Flash Film Festival. 

Charlie and Yip is a short film about a kid who takes his pet to school for Show and Tell, which turns out to be a bad idea.

The short is really a teaser/trailer for my indie feature film project "My Haunted House", which is still in development.  Recently the short Best Animation at the Flicks Film Festival in London, Best Trailer at the Changing Face International's Film Festival (CFIFF) in Australia, "Best Trailer" at the Lisbon Monthly Film Festival, Best Trailer at the Halicarnassus Film Festival, and Best Film at the Film One Film Fest in July.

Last Call For Our November Class!

Robot photobash by Joe Gamble

Last call for our November Class, which begins on Monday 3 November 2020.

It's not too late to book a place (but you'll have to hurry); all you need to do is visit the main Animation Apprentice site and go through a few simple steps.

If you want to learn 3D animation to a professional level, and start your new career as an animator - your journey starts here.

"Charlie and Yip" Best Animation at Flicks

I am pleased to announce that my short film "Charlie and Yip" has won Best Animation at the Flicks Film Festival in London. 

Charlie and Yip is a short film about a kid who takes his pet to school for Show and Tell, which turns out to be a bad idea.

The short is really a teaser/trailer for my indie feature film project "My Haunted House", which is still in development.  Recently the short won Best Trailer at the Changing Face International's Film Festival (CFIFF) in Australia, "Best Trailer" at the Lisbon Monthly Film Festival, Best Trailer at the Halicarnassus Film Festival, and Best Film at the Film One Film Fest in July.

Animation Apprentice Autodesk Authorised

We are delighted to announce that Animation Apprentice has recently been confirmed by Autodesk as an Authorised School, meaning that our students can download their free education license for Maya. 

For newcomers to the animation industry, it's important to remember that Autodesk, who make the software Maya, offer an education copy of Maya for free, which can be downloaded from the official Autodesk site.

Autodesk Maya has been the dominant software package in 3D animation for over 20 years. I first used Maya 1.0 on "The Iron Giant", back in 1998.  And today it remains the most powerful package for the creation of 3D animation, widely used in industry.

Young Cartoonists of the Year Competition 2020

The Young Cartoonists of the Year Competition is back. 

Hosted by the Cartoon Museum, which has at last re-opened after its long Covid-19-slumber, the annual competition seeks to reward rising cartoon talent. 

Judges include leading cartoonists such as Martin Rowson (The Guardian), Christian Adams (Evening Standard), Banx (FT), Peter Brookes (The Times), Nick Newman (Private Eye), and Matt from the Daily Telegraph. 

If you can think of a more eminent list of cartoonists, I'd like to see it. 

There are two categories: Under 18 and Under 30; the deadline is 23 November 2020, and entries should be mailed in (old school Royal Mail) to the Cartoon Museum.  

Charlie & Yip Best Super Short at UK Film Fest

"Best Super Short" at UK Film Fest

I am delighted to announce that my short film "Charlie and Yip" has won "Best Super Short" at the UK Monthly Film Festival in London in August/September. 

Charlie and Yip is a short film about a kid who takes his pet to school for Show and Tell, which turns out to be a bad idea.

Using Live Action Reference for Animation

Live Action Ref by Eilin Berrio Pena

One of the skills that junior animators must master is how to use live action reference to inform their animation.

When you go and watch a Pixar or Disney movie, you see animation, not live action. But there is plenty of live action there - it's just behind the scenes. Animators typically film themselves acting out their shot, and then use that reference to create animation. Below is an example from two students, Eilin Berrio Pena and Paloma Zhu, showing how they filmed live action reference to enter the monthly 11 Second Club Competition. 

The Secret of Animating Lipsync

Above is a short video on how to animate lipsync, showing how to keep the process as simple as possible.  The idea is to break things down into easy sections so as to make sure that your work starts off simple and gradually grows in complexity as you layer in the detail. At its simplest, good lipsync is just about opening and closing the mouth on the vowels, and closing it on the consonants. But, developing a system to keep it simple and at the same time get a sophisticated result, is all part of mastering the art and craft of animation.

Webinar with Emmy-Award-Winning Rich Jeffery on 26 October at 10am

Rich Jeffrey

One of my former students, animator Rich Jeffery has kindly agreed to an animation webinar on Monday 26 October at 10am. 

Rich will be talking about his career in animation, what it has been like working on the Australian TV series "Bluey" , which won an International Emmy at the 8th International Emmy Kids Awards this year. 

Rich was animation director on "Bluey" Series One, and director on the Series Two. Rich will be sharing his insights into the animation industry, how we got where he is today, and what students and graduates need to do to succeed.

Why Animators Should Keep it Short

One of the most common mistakes made by student animators is to bite off more than you can chew. When it comes to short films, or acting shots - or any piece of animation, it's very easy to be too ambitious. 

It is almost always much better to do a great job on a short piece of animation than to struggle to complete something long and complex.

Animation takes a long time to get right, so allow yourself the luxury of being able to add all the bells and whistles and still make your deadline. Keep it short and sweet. 

Why Animators Have Too Many Cuts

One of the many challenges faced by junior animators is where to put the camera. At its simplest, a camera can be stationary, watching the character's performance unfold. There isn't any need to cut from one angle to another. 

However, when we start to storyboard and thumbnail our work, it is often tempting to jump from one camera view to another - from wide shots, to close-ups, and then to mid shots - anything but holding the camera steady. 

The trouble with this approach is that multiple cuts can become hard to control, and the resulting performance becomes overly complicated and unnecessarily disjointed. 

The Cobbler Escapes from His Cell

Above is a shot that I animated on "The Thief and the Cobbler". It is a useful example of how to use live action reference to creating animation. This shot was animated in around 1991, and to get it right I filmed myself acting it out, using an old-fashioned video camera on a tripod, mounted near the ground to get the right camera angle. Then, I played back the footage frame by frame on the VCR, tracing over the key poses with a blue pencil on a piece of paper pressed against the glass of the TV screen, anchored with some peg bars. By doing this I was able to figure out all the key poses, and make sure the weight shifts were believable and based on real reference. 

Stanislavski's 7 Questions for Actors & Animators

Constantin Stanislavski

Recently some of my students have been preparing for this month's 11 Second Club Competition. This month's line of dialogue is very short, just a woman's voice saying "what's happening?". 

The rest of the eleven second clip is made up of sound effects - the spooky sound of a siren wailing and distant rain.

All this makes for a very open brief - the scene could be about almost anything, and this permits a great deal of flexibility and creativity.

An open brief can be a good thing - it allows for plenty of invention, but it also presents a challenge - what is the scene really about?  And how do we interpret it?